Thank you for visiting Hildegard Publishing Company. Our publishing mission is to seek out and publish compositions by women composers which display the highest level of excellence and musical merit. Because works by women composers have been historically overlooked and undervalued, our hope is to make these gems more widely available for concert performance. Our publishing mission reaches to all centuries including the present day and extends to a wide range of musical forms and genres. Whether your visit with us is exploratory in nature or you are seeking a specific work, we hope you enjoy your visit!
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It's easy to order items from our catalog. You'll still receive great service from our agent, Theodore Presser Company, who will process and send your items. However, we welcome the opportunity to get to know our customers directly and work with you to better serve your needs!
March is our favorite month because in March the whole world turns its attention to something that Hildegard Publishing Company is focused on every day: the accomplishments of women throughout the centuries! We're so pleased that in the coming weeks many performances are taking place that feature music written by women. We've collected a listing of concerts happening around the world on our Concert Calendar Page. We invite you to take a look to see if there is a concert near you. You can also submit your own concert if you are performing works by women on an upcoming concert.
Written at the height of her compositional career, this concerto is written in four movements (rather than three). The last two movements are however connected. Some of the themes used in the concerto are taken from her earlier songs. This edition is the two piano arrangement made by Beach in 1900.
This piece can be played equally effectively by flute or violin. Composed in two contrasting sections, Figueroa's music recalls her native Argentinean folkloric music especially in the use of rhythm and melodic color.
Famous in her lifetime as a singer, Viardot was also an active composer of over 200 songs. The twelve songs in this collection demonstrate Viardot's facility both in the vocal writing as well as the piano which is given equal treatment. The songs are indicated for soprano, mezzo, alto and baritone but may easily be adapted for any medium voice.